London’s Cheyne Walk offers a sedate streetscape that bears no witness, help you save some blue English Heritage plaques embedded in many façades, to its daredevil background. To the redbrick Georgian and Queen Anne homes and apartment structures that line this Thames-facet street in Chelsea, all fashion of resourceful iconoclasts since the third quarter of the 19th century have gravitated. Querulous painter James Abbott McNeill Whistler bunked right here, as did dandified tastemaker Christopher Gibbs, actor Laurence Olivier, and a handful of of the Rolling Stones, in addition Marianne Faithfull.
“All of Chelsea is a fairy tale for me,” suggests Patrick Mele, a youthful decorator who is dependent in New York City but seems to be straight out of the Cheyne Wander playbook, with a tousled mop of darkish hair foaming previously mentioned an angular face which is pure Egon Schiele. “My greatest buddy rising up was English, so I have normally been drawn to that Anglo sensibility. And I used to come here a ten years in the past, when I worked for Ralph Lauren, to function on the outlets.” So, when Sara Tayeb-Khalifa and her husband, Hussein Khalifa, high-fived Mele’s zesty decoration of a bedroom in their Manhattan condominium, they made available to mail him back again across the pond to revamp the Cheyne Stroll flat they experienced owned given that the early 1990s.
“I had carried out it place by area by home, but nothing matched—plus, I no extended desired secure,” describes the classy Tayeb-Khalifa, a former Phillips executive who is partnering with sustainable-fashion designer Jussara Lee on collections of T-shirts and cushions. “I wanted to make it happy: pleased colours, happy dwelling.” To that conclude, her discussions with Mele had been peppered with references to Auntie Mame, Miss out on Havisham, and the ceilings of outdated French bistros, stained “a coloration that reminds you of cigarettes, wine, lousy alcohol, and far more cigarettes,” Tayeb-Khalifa states with a snicker. —Mitchell Owens
When questioned what a person unfamiliar with his biography could possibly surmise only by going for walks by his Melbourne dwelling, Troye Sivan stays sanguine: “I’d hope they’d believe that I’m an unpretentious guy, probably a little bit eccentric, an individual who loves artwork and structure, somebody devoted to his family—and absolutely the point that I’m homosexual,” claims the wildly well-known 25-12 months-aged Australian singer-songwriter and actor.
Indeed, if that hypothetical visitor transpired to be a persnickety style and design snob, they’d certainly not are unsuccessful to register the array of treasures by the likes of Percival Lafer, Ettore Sottsass, Tobia Scarpa, and Marios Bellini and Botta the cabinetry facts motivated by Charlotte Perriand and Jean Prouvé and the bespoke, Memphis-flavored appointments of the tub and powder rooms. On a deeper stage, nonetheless, it would also be crystal crystal clear that this is the dwelling of anyone with the cultivation and self-assurance to realize that excellent style and design is as a great deal about suitability and nuance as it is about critical objects and artworks.
“Troye is an incredibly savvy collaborator. In our earliest discussions, he talked about materiality, how he desired to experience in his dwelling, about the scent and the sound and the light-weight. It was so a lot much more than just a couple of pretty points he found on Pinterest,” recalls designer David Flack of regional firm Flack Studio, Sivan’s associate in the sensitive, complex reimagining of the singer’s Victorian-period dwelling.
The household in query is a authentic architectural gem. Erected in 1869 as a handball courtroom, the creating was converted into a brick factory in 1950 and then subsequently remodeled into a home in 1970 by renowned Australian architect John Mockridge, a fixture of the area artwork-and-structure scene. The conversion is said to be the first adaptive reuse job of its form in the metropolis. “You can picture Mockridge and his mates sitting around drinking whiskey and talking about art. I preferred to maintain that bohemian spirit and honor the initial architecture though making something that feels like me,” Sivan claims. —Mayer Rus